3 Anime that Appreciate the Art of Business

ANIME

6 min read

Trillion Game — The Business of Making Things Happen

Trillion Game is much closer to business as we recognise it.

Haru Tennoji and Manabu “Gaku” Taira want to build a company worth a trillion dollars, despite beginning without anything resembling the resources required to do it.

Fortunately, the two have almost opposite strengths.

Gaku is technically gifted but socially awkward, while Haru is charismatic, audacious and remarkably comfortable walking into situations where he has no obvious right to succeed. Their partnership gives the series a useful way to explore the difference between building something valuable and convincing other people that it can become valuable.

Haru is particularly interesting because he understands perception.

He knows that businesses do not operate in a world of perfectly rational decisions. Investors assess founders as well as spreadsheets. Customers respond to presentation as well as functionality. Connections create opportunities that technical ability alone may never reach.

Sometimes he is insightful. Sometimes he is reckless. Quite often he is both.

That tension prevents Trillion Game from becoming a simple celebration of entrepreneurial confidence. Haru can open doors, but somebody still has to build what lies behind them, and Gaku's technical ability gives substance to ambitions that could otherwise remain salesmanship.

The series moves through investment, recruitment, competition and new ventures with considerably more enthusiasm for business than most anime would give the subject. Some of its manoeuvres are naturally heightened for entertainment, but the underlying relationship between vision and execution is recognisable.

A good idea does not automatically become a good company. Someone has to build it, sell it, finance it, explain it and persuade other people to care.

Trillion Game understands how different those abilities can be.

Salaryman to Big Four! — When Ordinary Experience Becomes Valuable

The full title of Salaryman to Big Four! is Headhunted to Another World: From Salaryman to Big Four!, and its premise takes one of the most familiar ideas in modern anime and gives it an unusually practical twist.

Dennosuke Uchimura is an ordinary salaryman who finds himself recruited into the fantasy world of the Demon King. He has no magical abilities or extraordinary combat skills. What makes him useful is the experience he accumulated working in business.

That changes the usual balance of an isekai story considerably.

Uchimura approaches problems by gathering information, understanding the people involved and working out what each side actually needs. Negotiation, logistics, resource management and communication become the abilities that allow him to navigate situations where a more conventional protagonist might simply overpower whatever is in the way.

There is something satisfying about seeing mundane professional experience treated with that kind of respect.

A competent manager rarely looks impressive in the same way as a warrior or magician. Much of the work happens before the visible problem occurs: getting the right people into the right positions, anticipating shortages, understanding incentives and making sure everyone is working towards something compatible.

The fantasy setting exaggerates the consequences, but the underlying idea is surprisingly grounded. Uchimura succeeds because he has spent years dealing with difficult people, limited resources and imperfect information.

The series appreciates competence that normally goes unnoticed.

It also makes a useful point about transferable skills. Experience can become so familiar that it stops feeling like expertise, particularly when you spend years inside the same profession. Put those same abilities into an unfamiliar environment, however, and their value becomes much easier to see.

Business rarely gets to be the interesting part of an anime. Companies are usually somewhere in the background, executives exist to cause problems, and money is mostly there to explain why someone needs to take a job.

There are exceptions, though. Some anime are genuinely interested in the skills, personalities and systems involved in building something, making deals or managing money.

These three approach that territory from very different directions. Salaryman to Big Four! finds value in the supposedly ordinary skills of an experienced office worker. Trillion Game throws itself into the ambition and improvisation of startup culture. C: The Money of Soul and Possibility Control goes considerably stranger, turning finance itself into a supernatural battle system.

None of them should be mistaken for business courses, but they understand that commerce can be interesting enough to drive a story rather than simply sit behind one.

C: The Money of Soul and Possibility Control — A Brilliant Idea That Never Quite Comes Together

C: The Money of Soul and Possibility Control is easily the strangest recommendation on this list, and perhaps the most interesting.

Its protagonist, Kimimaro Yoga, is a university student whose financial circumstances leave him longing for little more than a stable, ordinary future. He is approached by a mysterious man named Masakaki and offered access to the Financial District, an alternate space where people known as Entrepreneurs participate in battles called Deals.

The collateral they gamble with is their own future, its an excellent premise.

Money in C becomes a way of talking about possibility. Financial decisions made inside the District can affect lives outside it, while the series gradually expands its attention from individual wealth towards much larger questions about economies, debt and what happens when present stability is purchased by sacrificing the future.

There are some genuinely imaginative ideas here. Economic concepts that are normally represented by graphs and percentages become physical things that characters can fight over, lose and manipulate. Risk becomes visible. Futures become something that can literally be spent.

The problem is that C never develops these ideas as thoroughly as it could.

Its Deals initially suggest a potentially fascinating financial battle system, with Entrepreneurs using supernatural Assets and different attacks carrying monetary costs. Yet the mechanics remain surprisingly vague. The series introduces terminology and rules without exploring them deeply enough for the viewer to understand the strategic possibilities behind a battle.

That is a particularly frustrating weakness because the financial premise could have supported an unusually clever combat system. If different attacks, investments and risks had clearer consequences, the battles themselves could have reinforced the economic ideas at the centre of the story. Instead, they often feel like a separate layer placed over them.

The relationship between Entrepreneurs and their Assets is similarly underexplored. Some of these relationships take on an oddly suggestive quality, which occasionally seems to exist for a cheap joke, but the series never establishes clearly what that connection is supposed to represent or why it matters. It adds another mystery to a story that already has plenty of better ideas competing for limited time.

Towards the end, that becomes the broader problem with C. Its scope grows faster than its ability to properly develop everything it introduces. Although its worth watching.

There are plenty of polished anime built around ideas we have encountered many times before. C is almost the inverse: an uneven series built around ideas you rarely see anywhere else.

Its attempt to imagine finance as a place where the present literally trades against the future is strong enough to survive some messy execution.

Business Makes a Surprisingly Good Story

What connects these anime is not that they offer practical lessons you could take directly into a company. Their value is in making normally invisible forms of work easier to notice.

Salaryman to Big Four! takes management experience that can seem mundane and places it somewhere its usefulness becomes obvious. Trillion Game explores the messy combination of technical ability, persuasion, ambition and opportunity involved in building a company. C abstracts finance until money becomes a physical expression of risk and future possibility.

That is something anime is particularly good at.

It can take an idea that normally lives in spreadsheets, meetings or economic theory and give it characters, stakes and a visual language. The abstraction is rarely a substitute for learning the real subject, but it can make you curious enough to start looking at that subject differently.

Business has plenty of stories hiding inside it. You just need a series willing to treat the business itself as interesting.

Ref: Image taken of official trailer from crunchy roll

Ref: Image taken of official trailer from crunchy roll

Ref: Image taken from official trailer on Anime news network